The Marksman: A BBC drama from 1987

The other day I blogged about the Channel 4 drama Brond from 1987. Since then, I have not only had a tweet from John Hannah, I have swapped tweets with the person who played the boy on the bridge in its extraordinary opening:

But there is another television drama I remember from that year that is even more obscure. Some sources even maintain it was never shown, but I know they are wrong because I watched it.

The Marksman was due to be shown in August 1987, but suddenly became controversial because of the Hungerford massacre. Here is Robin Corbett, Labour MP for Birmingham Erdington, speaking in the Commons in December of that year:
I suspect that the House will want to take this matter more seriously than does the hon. Member for Thanet, North (Mr. Gale). Does the Minister agree that it would be quite proper to request the BBC to change its decision to start showing the three-part series "The Marksman", which was withdrawn immediately after the violence at Hungerford? The pain and distress that would be caused by that film, which I understand concerns a character who goes round blowing people apart in order to get what he considers to be vengeance, would hit immediately those families in Hungerford and elsewhere who have been involved in shooting incidents.
But the BBC did show The Marksman, though it seems to have been re-edited in the light of events in Hungerford. It remained, however, a gory drama in which a hitman revenged the killing of his young son.

The cast list is impressive: David Threlfall, Richard Griffiths, James Ellis, Leslie Ash, Craig Charles. And the theme music was by Richard Thompson, aided by some poetry written and performed by Charles.

Yet today there is not a clip from The Marksman to be found on Youtube and nor will you find any of Richard Thompson's music there.

What I recall most of all is the performance of Michael Angelis, a stalwart of BBC dramas in those days.

He played a club owner who, after auditioning a new comic, would put an arm around his shoulders and say: "It's not enough to be Irish [or Jewish or whatever]: you've got to be funny." Then he would slip a banknote into the comic's top pocket and say: "But don't ever change."

I think his fondness for that last phrase did for him when he used it in what was meant to be an anonymous phone call.

I don't suppose The Marksman will ever be seen again, but I still use the "It's not enough to be..." line today when I see some new comedians on television.

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